{"id":238,"date":"2026-06-23T15:42:30","date_gmt":"2026-06-23T15:42:30","guid":{"rendered":"https:\/\/businessmovingservicess.com\/?p=238"},"modified":"2026-06-23T15:42:30","modified_gmt":"2026-06-23T15:42:30","slug":"at-cats-the-jellicle-ball-the-best-seat-is-the-judges-chair","status":"publish","type":"post","link":"https:\/\/businessmovingservicess.com\/?p=238","title":{"rendered":"At \u2018Cats: The Jellicle Ball,\u2019 the Best Seat Is the Judge\u2019s Chair"},"content":{"rendered":"
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\n\tEight times a week, a miracle happens at Broadway\u2019s Broadhurst Theatre \u2014 Andrew Lloyd Webber\u2019s famed musical Cats<\/em>actually makes sense.\u00a0<\/p>\n

Read more The Founders Warned Us About Someone Like Trump<\/a><\/p>\n

\n\tSince its premiere in 1981, the musical has built a reputation for being notoriously nonsensical.\u00a0Loosely based on T.S. Eliot\u2019s Old Possum\u2019s Book of Practical Cats<\/em>, the show accelerates this state of confusion by adding in fantastical human-cat hybrid costumes. There\u2019s plenty of feline choreography, like crawling, meowing, and hissing. Oh, and there\u2019s also the plot following a community of junkyard pussycats competing in a talent show to decide who is allowed to die and be reborn in the Heaviside Layer \u2014 cat heaven. Now, the infamous competition has been reimagined into Cats: The Jellicle Ball, <\/em>a Broadway revival of the show that leaves the world of catfights behind and places the story \u2014 and human characters \u2014\u00a0in the world of New York\u2019s queer ballroom scene.\u00a0<\/p>\n

\n\tWhile there\u2019s a historical record of drag culture and queer balls as early as the 1800s, modern ballroom culture was defined in the 1970s, when New York drag queens, trans women, and queer activists popularized house ballroom. These balls were themed competitions prioritizing excess in costuming, dancing, voguing, and runway presences where the winner was decided by a panel of judges. But the major innovation was the house system, a team structure run by a mother that gave the subculture an underlying framework of support, community, and mentorship \u2014 a lifesaving mission at a time when public queerness was illegal and forced many LGBTQ+ people into poverty and homelessness.\u00a0\u00a0<\/p>\n

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\n\tWe\u2019re well past the informational era of Paris Is Burning<\/em> and Pose \u2014 <\/em>ballroom is no longer a mysterious subculture for the average American. But Cats: The Jellicle Ball <\/em>ties its nature as a Cats <\/em>revival with a well deserved mission for ballroom: honoring the legacy of its creators, many of whom were never recognized for their achievements while they were alive. And no ball is complete without esteemed judges; which is why roughly an hour before showtime, comedian Michelle Buteau and drag queen Miss Peppermint are in the upper dining room of Sardi\u2019s prepping for their short \u2014\u00a0but long awaited \u2014\u00a0turn with the scorecards.\u00a0<\/p>\n

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\n\t\u201cI feel like I\u2019m serving light-skinned realness at a Nigerian wedding,\u201d Buteau says. She\u2019s wearing a puffy chartreuse dress that billows around her elbows, which she constantly readjusts while\u00a0working swiftly to rid Peppermint\u2019s hair of its bobby pins.\u00a0<\/p>\n

\n\tPeppermint\u2019s outfit is both festive and on theme, a custom red suit set by Bronx designer Angel Ayala paired with a \u201cfeline touch\u201d of an animal print blouse and shoes. But she\u2019s more focused on convincing Buteau to share the catwalk with her when they ascend the stage at judging time.\u00a0\u00a0<\/p>\n

\n\t\u201cYou have<\/em> to,\u201d she says, hands grasping Buteau\u2019s as her voice turns pleading. \u201cLaverne [Cox] set a precedent. Girl, you can\u2019t be in this and not walk.\u201d\u00a0<\/p>\n

\n\tSince its March transfer from downtown PAC-NYC, Jellicle Ball <\/em>has sweetened the deal for audiences by having different guest judges every performance, combining both Broadway legends like Cynthia Erivo and Kara Young with queer icons like MTA voice Bernie Wagenblast and ballroom vet Michael Roberson. Buteau and Peppermint \u2014 a comedy maven and queer Broadway legend, respectively\u00a0\u2014 fit squarely into both categories. But the duo\u2019s time in the judges\u2019 seats also coincides with preparations for the third and final season of their show Survival of the Thickest<\/em>.\u00a0<\/p>\n

\n\tCo-created by and starring Buteau, Survival of the Thickest <\/em>follows plus-sized New York stylist Mavis after a surprising breakup forces her to reinvent her life \u2014\u00a0one shitty Brooklyn sublet at a time. The show\u2019s main storyline follows Mavis\u2019 attempts to retake the reins of her love life. But the series\u2019 thrumming heart is the friendship between Mavis and a fictionalized version of the real-life Peppermint, buoyed by a comical but heartfelt exploration of queer community. Together, the two grow into a bonafide brain trust on how to celebrate achievements and mature in relationships. And in Season Two, Survival of the Thickest <\/em>went all out on a dream wedding for Peppermint, an idea Buteau was adamant about making it on screen.\u00a0<\/p>\n

\n\t\u201cAfter talking to [Michelle] about some of my trials and tribulations with dating, she took it upon herself with the writers to make sure there was a beautiful storyline for trans people in this show,\u201d Peppermint says. \u201cThis is my Good Judy, honey.\u201d So who better to be guest judges than two people celebrating the final season of a scrappy streaming series that also puts queer joy at its center?\u00a0<\/p>\n

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\n\t\u201cI hate Cats<\/em>. Going to theater school here, all your teachers are also in the show. So I\u2019ve seen Cats <\/em>100 times. But this production is totally different,\u201d Peppermint says. \u201cWe saw it together opening night. And this feels like this is how this show was meant to be.\u201d\u00a0<\/p>\n

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\n\t\u201cActing, performance\u00a0\u2014 whether it\u2019s a drag show, stand-up comedy, singing, whatever the crap, is [about] taking ownership and license,\u201d Buteau says. \u201cReally trusting your creative company to fucking have fun.\u201d\u00a0<\/p>\n

\n\tJust before curtain call, Buteau and Peppermint take their seats in red leather booths on opposite sides of the auditorium. \u201cI\u2019ll miss you,\u201d Buteau mouths dramatically, arms flung outstretched. But they\u2019re not alone. Marouane Zotti, who plays Luca, Buteau\u2019s love interest in Survival of The Thickest, <\/em>has flown in from Italy to join the group, while Peppermint gabs with Odyssey<\/em> actor and close friend Elliot Page. Then DJ Griddlebone (Ken Ard) steps onto the elevated stage with a crate full of classic records and the story begins.\u00a0<\/p>\n

\nThe Jellicle Ball <\/em>keeps the cats\u2019 names and the same music and lyrics as the original Cats, <\/em>but this show is about humans through and through. The entire cast is part of an underground ballroom competition, going claw to claw in matchups that rank the best poses, death drops, outfits, name brands, and choreography. The end goal is the grand prize and a trip to the Heaviside Layer, granted by the leader of the troupe, Old Deuteronomy (Andr\u00e9 De Shields).\u00a0<\/p>\n

\n\tThe music is an electric revitalization of the original Cats <\/em>soundtrack, layering the traditional musical-theater pop with synths and house beats. It feels like only moments before emcee Munkustrap (Dudney Joseph Jr.) takes the stage and calls up Peppermint and Buteau, clearing the way for the two to strut the runway. The crowd claps and cheers, screaming wildly when Buteau drops it rather politely before strutting with Peppermint to their seats on stage. The competition begins, Jellicle <\/em>cast members sing, flit, and duckwalk down the runway with competitions like Virgin Vogue, Realness, Body, and Tag Team. Peppermint and Buteau hold up glitter signs emblazoned with the phrases \u201c10\u201d and \u201cMeow.\u201d\u00a0<\/p>\n

\n\tAt one point when Rum Tum Tugger (Sydney James Harcourt) jumps on the judges table to finish his solo, pausing to caress their faces, Buteau gets so distracted she forgets to hold up her paddle. \u201cOh shit!\u201d she mouths, when Peppermint gets her attention. There are flips and dips and so many costume changes it whips the audience higher and higher. But when the ground shakes, the lights flicker and the dancers feel the coming of Old Deuteronomy, Buteau and Peppermint are escorted offstage to spend the rest of the show snapping their fans as audience members.\u00a0<\/p>\n

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\n\tThat energy continues after the show as Buteau and Peppermint make the rounds, greeting cast members as they exit backstage sans cat ear wigs and makeup. \u201cI can\u2019t stop smiling!\u201d Peppermint shrieks, embracing character after character. Ard, who was in the original company of Cats<\/em> in 1982, has them add their names to his growing signature book for the show\u2019s guest judges. The strongest aspect of Jellicle Ball <\/em>is the time the musical takes to give the elders and titans of ballroom culture the spotlight, emphasizing the legacies of the queer trailblazers cherished by the Jellicle Cats who take the stage every night. After intermission, a golden backdrop rises from the floor, displaying archival photos from the first ballroom competitions and the legends who created them, even listing the names of the founding mothers of New York\u2019s famed Ballroom Houses.\u00a0<\/p>\n

\n\tButeau, Peppermint, and this cast all know what it\u2019s like to push for something a bit bigger than oneself. So when asked what makes the show special, Peppermint doesn\u2019t focus on the music, or the costumes, or the crowd of white faces snapping their fans in uniform. She knows the magic is in the people on stage.\u00a0<\/p>\n

\n\t\u201cThat\u2019s my family,\u201d Peppermint says. Harcourt is her drag daughter \u2014\u00a0the ballroom term for a beloved mentee \u2014 which she says makes his performance even more exciting to watch. \u201cIf you\u2019re not with this, you\u2019re missing out.\u201d\u00a0<\/p>\n

\n\tWith her time in the judge\u2019s chair over, Buteau\u2019s next focus is Survival of the Thickest<\/em>\u2019s premiere. (Ever the business woman, she has the cast make a TikTok shouting out the series\u2019 finale on July 2.) But it\u2019s clear that she keeps fixating on the idea of legacy.\u00a0<\/p>\n

\n\t\u201cWhat I really love about [Jellicle Ball<\/em>] is the mirroring of the young and the old and showing so much wisdom and hope,\u201d she says. \u201c [With Survival<\/em>], what I really hope is that I\u2019ve recorded some sort of\u00a0 knowledge and wisdom to people and how they can see the future in front and behind the camera. I know how hard this shit is. So let\u2019s fucking fly.\u201d\u00a0<\/p>\n

Read more Spurned by Trump, John Cornyn Discovers He Has a Spine<\/a><\/p>\n

\n\tAfter all, the Heaviside Layer awaits.\u00a0<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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